cothurnus: "I have an arm?????" (Grimmjow)
Let's assume that, at this point, I'm just really, really not going to stick to the schedule which I had set myself for these posts.

Yesterday, I had a pretty horrible day, with pain, with raging fever and with my whole body turning into one big rash.

However, I still managed to read the newest Bleach chapter, and this page made my day:




Because I would recognise that elbow anywhere.

Now, I'll admit, I've always had mixed feelings about the possibility that Grimmjow might return. On the one hand, I hated the fact that Tite Kubo had left it tantalisingly uncertain as to whether the Sexta Espada had actually copped it from Nnoitra's blow. Dangling threads are, indeed, one of the main things that annoy me about Bleach, not just because they are left for interminable amounts of time before being addressed, but also because most of them could do with not having been planted in the first place. Part of the reason why I like Fairy Tail so much is that it is a master class at swerving all the problems with pacing which Blecah falls into like a champ. But, it's this annoyance more than anything else that made me hope that we would one day find out Grimmjow's ultimate fate.

But then, I got to thinking about the logistics of the thing, and I couldn't figure out how or why there would be a reason to return to the arrancar after Aizen's defeat ... which shows my lack of imagination. I would never have thought up the idea of shinigami and arrancar sharing an enemy.

By this chapter, though, I was expecting this revelation and looking forward to it. I mean, if we'd already been shown that the Tres Bestia, Loly Aivirrne and Tier Harribel were still alive, when they had looked pretty dead last time we saw them, it was a bit of a given that Grimmjow would also return. (Oh, while I'm mentioning Tier Harribel, I have to register my outrage at the torture-porn-style full page picture she was given in Chpter 485. It's seriously disgusting.) Though, by now, Bleach is beginning to remind me of a short reading exercise-type piece I once came across, when I was about eight-years-old. I think it was Victorian. Anyway, it was called 'The Chinese Theatre', and it described it as customary in China for actors playing characters who had died to get up and walk off as soon as attention was diverted from them by the action on stage. I can just imagine Sun Sun, Mila Rose and Apache sidling off back to Hueco Mundo while we were all distracted watching Ichigo fight Gin or Aizen.

And I suppose it was simplistic of me to assume that the end of Aizen's part in the story would also be the end of the arrancar. Part of what had always made the arrancar so interesting was the fact that none of them ever seemed to act out of a sense of unified ideology. Each one was a law unto themselves, with only Aizen's powerful influence keeping them in check. And, I suppose it would be a massive dangling plot thread to not show us how the arrancar act without Aizen's influence. Therefore, it makes it not only possible, but even likely that, under the right circumstances a truce could be made between shinigami and arrancar - even though the operative phrase there is 'under the right circumstances'. This is with Grimmjow being a different kettle of chips to say, Renji.

But, I'm optimistic about this development overall - especially if it means I can see my favourite character again. And do I care that this was probably done only for fan-service? Of course not! My fandom now knows no shame! Who am I kidding? I missed that character and Heaven knows I’m looking forward to this. I can’t wait to see his happy little face as he attacks Quincies. Kinda reminds me of this video actually, something else which makes my day every time I look it up …

The Heart

Aug. 17th, 2012 09:47 pm
cothurnus: For when I'm in a foul mood. (Kuukaku says STFU)
This is going to be a mess, because I'm shattered, but it's only an update anyway:

Ok, I went out shopping today (I think this will probably end up being how most of my posts start for a while - with a shopping trip) and bought the 41st Bleach volume. I read it to the point where Ulquiorra turns to ash, and had to stop. I just felt that to continue would be to lessen the moment's impact. Anyway, after closing the book, I just felt like sitting there and crying in the middle of the bus.

That part of Bleach has always moved me, and yet, I've never felt the need to justify it until I was just looking up the number of the chapter (it's 354, by the way). It was then that I found this page:

http://knowyourmeme.com/memes/tite-kubo-the-heart

I'm not sure how widespread the viewpoints expressed on this page are in Bleach fandom, but, I must say I found them rather harsh. Yes, Tite Kubo has never been one for making much of backgrounds, but I always felt that he made up for it with nearly always perfect character drawing and design.



Tite Kubo is one of my favourite artists, as, along with Bryan Lee O'Malley and Jamie Hewlett, he's one artist I know who always makes his characters LIVE. Then, yes, I think that page 4 of chapter 354 is pretentious and obvious, but, forgivably so - it was an important character moment which needed emphasis.

 
 
I wouldn't call it 'the utmost perfect example of [the] author: “drawing nothing and being paid millions for it”.' Then, there's the allegations that Kubo is a 'professional troll' and that
'his plot is redundant, inconsistent, or just plain stupid. In the Bleach manga, characters have received insane boosts of power from ridiculous plot devices, such as Zaraki Kenpachi becoming much stronger just by using his sword with 2 hands or Yammy going from the 10th strongest espada (number 10) to the strongest (number 0) by eating a lot and then releasing his sword’s power.'

I was fine with most of the leaps in power that happened in the series, I must say, because, to a point, they fitted with the internal logic of the series so far. The plot also was decent enough, to a point. I would say that the series went downhill after the death of Ulquiorra, certainly, but I never saw this as a sign of the laziness of the creator. Indeed, I saw the problems with narrative pacing, redundant and disappearing characters, lost fights and fluctuating power dynamics as a sign of the mangaka having got out of his depth. It seemed to me that he'd had a big, epic plan, but somehow it had gone awry, possibly due to an inability to curb a certain amount of narrative excess. Idk, this might seem like I'm assessing Bleach in a superior way, but, really it's just how I saw the latter part of the series. And, it's not necessarily that I feel that Tite Kubo needs any sort of defending - Christ, he's done well enough to not give a damn about his haters. It's just that I suppose, no matter how much I know 'haters gonna hate' or that haters will always be in a minority, it still depresses me that people feel the need to be like that, instead of thinking about why something is good.
 

Profile

cothurnus: For most of the time. (Default)
Ashleigh

November 2012

S M T W T F S
    123
45678910
11121314151617
181920212223 24
25 262728 2930 

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Jun. 30th, 2025 04:45 am
Powered by Dreamwidth Studios